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Selection of Projects (see also CV)

The Conversation, Spain

Article exploring the social and political questions which are ignored by mobility stakeholders and governments adopting Evtols as a 'solution' for sustainable transport and congestion

For English version, please see my blog

Interactive workshop co-run with Patrick Leon Gross (Doughnut Berlin) and 100+ participants to debate doughnuts 

Full event details: https://doughnuteconomics.org/events/170 

Theme: Circles, utopia, history of urbanism, Doughnut Economics

Doughnut Economics and the Doughnut City occupy a prominent position within discussions about the future of urban design. This concept has been framed as a significant departure from the history of economic thinking, which has long prized GDP as a measure of richness, progress, and wellbeing whilst producing inequality and environmental damage. Also, visually, the Doughnut deviates from mainstream representations of economic ‘laws’ as linear diagrams, offering the circle as a more dynamic and organic image. We suggest that the image of the circle must be understood in the context of another history: the history of ideal city design. This workshop presents a critical reflection on the history of circular urban design, followed by a guided and open space for discussion between historians, urban planners, and renegade economists to explore the intersections between doughnut cities, circular models, and planning justice. Insight from participants will feed into a scientific publication on the topic.

Webinar given with Web2Learn in collaboration with Dr. Anna Berti Suman, Stefania Oikonomou and Katerina Zourou.  

Presentation: "The role of arts and technology as means to promote public engagement with scientific research"

6 December 2022

The Erasmus+ project GreenVETers organized a webinar on environmental citizen sensing and its contribution on social participation and deliberative democracy practices through art and new technologies. The webinar presented examples of citizen-sensing actions as well as of artistic expressions designed to foster active citizenship and address social injustices.

 

This webinar is part of the EU-funded project GreenVETers (https://greenveters.eu/) and was organised by Web2Learn (https://web2learn.eu/).

Public Participation and Deliberative Democracy Festival. Joint Research Centre, European Commission.

Full event details: https://cop-demos.jrc.ec.europa.eu/festival-2022/agenda-ispra 

Theme: art as a tool in scientific research, public participation in urban planning

 

Offered a Postgrowth perspective on the importance of civic monitoring for deliberative democracy, as part of a panel led by Dr. Anna Berti Suman. 

The presentations were illustrated live by Alice Toietta who summarised our discussion at the end of the session. This SciArt approach is of great interest to me because it puts art forwards as a tool in science and policy research. 

"We focused on a specific phenomenon of deliberative democracy, known as 'citizens' assemblies'. These are structures and processes through which a representative and stratified sample of ordinary people selected by sortition make political decisions on matters of public interest. We discussed how to bring the reality of citizens' assemblies closer to that of 'civic (environmental) monitoring'. The latter is a social phenomenon in which ordinary people collect data on the state of the environment and/or their health in relation to the environment. Civic monitoring can also apply to other issues such as public funds' expenditure. We posited that the two forms of participation, i.e., citizen assemblies and civic monitoring, could have a complementary value, which might help address some of the respective limitations." (words, Anna Berti Suman). Session illustrated by Alice Toietta. 

My blog on this experience

More 'scientific' report on the conference

For SciArt

Full conference: https://webcast.ec.europa.eu/4th-public-participation-and-deliberative-democracy-festival-ispra 

2020_05_04 Epidemic Urbanism_4.jpg

International Conference, free. Epidemic Urbanism Initiative

Themes: public health, epidemics, history of urbanism

Epidemic illnesses—not only a product of biology, but also social and cultural phenomena—are as old as cities themselves. The recent pandemic of COVID-19 has put into perspective the impact of epidemic illness on urban life, and exposed the vulnerabilities of the societies it ravages as much as the bodies it infects. How can epidemics help us understand urban environments? What insights from the outbreak, experience, and response to previous urban epidemics might inform our understanding of COVID-19? 

Paper which explored
 what the cholera epidemics in Naples can teach us about top down public health policy interventions and infrastructural choices during Covid-19

Illustrating Ancient History exhibition, Museum of Classical Archaeology, Cambridge 
Dr Javier Martinez-Jimenez, Sofia Greaves and Zofia Guertin

The exhibition explored the role of archaeologists and artists in constructing understandings of the past. The exhibition was focused upon two main questions: 'what responsibilities and difficulties does an archaeologist face when preserving and representing the past?, and 'how does art and illustration play a role in promoting community engagement with excavations?' We examined the processes behind technical drawings and artistic interpretations, and showed how they feed into one another. Work shown by Sofia Greaves and Zofia Guertin. You can view the exhibition online via the link above.


 

Remembering and Forgetting
Remembering and Forgetting

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Banner remembering and forgetting
Banner remembering and forgetting

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Rome and the colonial_cover-1-page-001
Rome and the colonial_cover-1-page-001

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Remembering and Forgetting
Remembering and Forgetting

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Book Cover Designs

3 Covers commissioned for the academic publication: 'Impact of the Ancient City' series, Oxbow Press.

Each of the covers intends to reflect through process / content the theme of the volume. Click to expand images



1. Remembering and Forgetting. This work explores how our understanding of the past is constantly reshaped by processes of narration and memorialisation. By layering, interweaving and distorting the representational tropes of urbanism - arches, columns, windows, and walls - the image mimics the complexity ways in which memories are formed and embedded within one another.

2. Cities as Palimpsests? This work engages with the metaphor of city as palimpsest. Palimpsests are pieces of parchment, or paper, upon which something is written and subsequently erased, so that the parchment may be used again. This leaves traces of what has come before, producing a layering of different voices and times. Often it is remarked that cities are like palimpsests because they are built and rebuilt over time. This work was produced by layering paint in thin washes and taking it away to reveal an urbanised landscape

3. Colonial Rome. The idea of Rome and the Roman Empire has been key to the history of colonisation, because many empires have sought to emulate and outdo the ancient example. The arched aqueduct was of the most typical expressions of 'Romanitas' and this image thinks about its disintegration in relation with the process of 'de-colonising the Classics' within scholarship, which seeks to understand and deconstruct how the reception of the ancient past has been key to colonial power dynamics and narratives.

 

“Don’t worry we built a better one”. Watercolour on paper. 300 x 300 mm.
“Don’t worry we built a better one”. Watercolour on paper. 300 x 300 mm.

Watercolour illustration of the problems economic growth causes for spatial planning

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“Useless cash”. Watercolour on paper. 297 x 210 mm.
“Useless cash”. Watercolour on paper. 297 x 210 mm.

Illustration of political ecology

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“Kandinsky economics”. Digital image and watercolour,  297 x 210 mm.
“Kandinsky economics”. Digital image and watercolour, 297 x 210 mm.

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“Don’t worry we built a better one”. Watercolour on paper. 300 x 300 mm.
“Don’t worry we built a better one”. Watercolour on paper. 300 x 300 mm.

Watercolour illustration of the problems economic growth causes for spatial planning

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Illustrations for Critiques of Growth (forthcoming). Book reviewing critiques of economic growth made through different theoretical lenses

Themes: postgrowth, degrowth, science and technology studies

Illustrations for chapter headings

1. "Don't worry we made a better one" : spatial critiques of growth (Sofia Greaves)
 

2. "Political ecology" (Alejandro Fortuny Sicart and Noortje Keurhorst) 

Fish paid to leave their pond drown because humans assumed a bath full of money was a fair swap.

PE shows how powerful players gain access to environmental resources to make $$$ by oppressing others and shutting down opposition. How land grabbing, water pollution, soil degradation, enclosure of resources for "conservation" or "development" occurs & its effects (For example).

 

3. Post structuralist (Elisa Schramm)
 

The objective of economic growth is normalised by how we speak about it and perform it (for example). We must open up other possibilities via 'the performance of difference', by realising 'projects of the otherwise' to valorise open endedness, non determination and experimentation. 'Otra vida es posible".

4. Ecomarxist Critique (Ben Robra and Jacopo Nicola Bergamo) 

Capitalism is the root cause of ecological degradation, see blog.

Prometheus stole fire from Olympus and gave it to mankind, bestowing humanity with  new knowledge and the possibility of material advancement as well as destruction. He defied Zeus, king of the gods, who had forbidden this gift. Zeus sought to break even by sending a different offering: Pandora, the first mortal woman, holding a box full of evils, lies and diseases. When Pandora opened her box she released these troubles into the world, and was only able to close it in time to shut ‘Hope’ inside. This exploding tree points out that the root cause of ecological degradation is Capitalism. There is one leaf left on the tree, like Hope in Pandora's box. It is a red hand, which is the symbol of Communism.

5. Postdevelopment (Javier Lloveras)

"The noun development has become synonymous with high rates of economic growth, industrialisation, modernisation and consumerism."

In the Egyptian funerary cult, the deceased is judged to determine whether they are ‘good’ enough to gain immortal life. In the Hall of Maat, the heart is weighed against a feather. The heart is the seat of a person's emotions, intellect, will and morality. Maat's feather represents goodness - truth, justice, harmony, balance, order, propriety, and reciprocity. A good life will balance with the feather, but if the heart should weigh more it will be eaten by a demon making never-ending life impossible. In this bastardisation of ancient history I am subverting the classic story of development which holds that ‘economic growth’ and ‘development’ are equal to goodness and represent a path to never-ending life. Rather, post-developmental theory reveals the opposite: by pursuing these ideals society is marching to its doom.

6. Feminist Economics (Jo Becker).

Mushrooms are the fruits of rich and hidden mycelium networks found in the soil, through which they absorb nutrients. Mycelium supports the mushroom and is vital to wider plants’ health and growth

7. Ecological Economics (Brais Suárez-Eiroa)

Kandinsky produced abstract paintings which represented the complexity of an invisible world after the split of the atom. He believed that abstraction could represent truth and spirituality. Kandinsky’s paintings seem more representative of the thermodynamic processes, flows and rebound effects which characterise our economic system than the neat circles which are typically used.

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